Naman Ramachandran A range of subjects, ranging from hot button to mystical, await Academy voters considering the contenders from South Asia in the international feature category.
The most visible film from the region is certainly Bhutan’s “The Monk and the Gun,” Pawo Choyning Dorji‘s follow-up to the Oscar-nominated “Lunana: A Yak in the Classroom.” In the film, Dorji uses the first elections in one of the world’s youngest democracies to comment on what is lost as his country modernizes.
The Variety critics pick, following its festival premieres at Telluride, Toronto, Rome and Busan, sold to a raft of major territories worldwide, including Roadside Attractions in the U.S.
Another South Asian feature in the Oscar race that’s striking a high profile is Pakistani-Canadian filmmaker Zarrar Kahn’s “In Flames,” Pakistan’s entry to the category.
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