Manuel Betancourt To title your film after a year, as actor-turned-filmmaker Manuela Martelli does, is a bold statement. For Chileans, after all, “1976” (renamed “Chile ’76” for North American markets) will conjure up a host of reactions tied to what was one of the bloodiest years of Augusto Pinochet’s dictatorship.
And yet this dazzling debut feature is grounded not in the resistance movement against Pinochet, nor on the political maneuvring that led to thousands having been disappeared.
It focuses instead on a housewife’s day-to-day routine, as she slowly finds her insular world rocked by events that soon spiral out of her control.
Following a successful festival run beginning at Cannes last year, the film will be released Stateside by Kino Lorber from May 5.
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