‘Case Against Adnan Syed’ Producer Amy Berg Strikes First-Look Deal With Fremantle

Prince Harry will attend the King's Coronation next month but Meghan will stay in the USA, Buckingham Palace has announced.

The nation's biggest racing event is right around the corner and will see thousands of racegoers head to Aintree to spectate some of the sport's best runners and riders.

Holly Willoughby has given fans a glimpse into how she spends her 'me time' as she showed them the interest she has 'fallen in love with'. The presenter has been opening up again in her public journal as part of her wellness brand Wylde Moon.

Steven Naismith has told Robert Snodgrass that he won’t be getting much game time under him and that it's best if he leaves Hearts to return to his family in England.

Hamilton’s first-ever pride festival is set to be held this summer in a vibrant celebration of LGBTQ+ culture.

Eligible patients across Ayrshire are being encouraged to get their Covid-19 spring booster jabs as the health board hosts vaccination clinics in venues across the region.

As the historic ceremony crowning King Charles as monarch looms around the corner, organisers of the event are now in a "race against time" to finalise plans.

Shoppers are hailing Marks and Spencer's 'perfect fitting' blazer, with customers taking to the review section to share their thoughts.

East Kilbride firefighters will be raising cash for good causes at their annual charity plant sale next month.

Holly Jones L.A.-based Outsider Pictures, a U.S. distribution hub for emerging Spanish-language cinema, has secured North American rights to 2020 Ventana Sur Primer Corte title “Fogaréu,” the debut feature from burgeoning Brazilian director Flávia Neves. The deal, brokered between Outsider (“Blanquita”) and France’s MPM Premium New Visions arm (“The Pink Cloud”), follows the film’s world premiere at Berlinale’s Panorama in 2022, where it snagged the third place Audience Award.  “Fogaréu” was a selection at the Neufchâtel International Film Festival and further competed at the Guadalajara Film Festival, Vancouver Film Festival, Edinburgh Film Festival and the Mons Love International Festival, where it won the 400 Coups Competition Prize.”

Rebecca Rubin Film and Media Reporter Ariana DeBose is back to do “the thing” as the host of this year’s Tony Awards. It’s the second time the actor is serving as emcee for Broadway’s biggest night, which is taking place on Sunday, June 11 at the United Palace in New York’s Washington Heights. The ceremony starts at 8 p.m. ET and will air live on CBS, as well as the streaming service Paramount+. “I was honored to serve as host last year and even more so to be asked back! So looking forward to celebrating this incredible season and the people who make the work happen,” DeBose said. “Here’s to adding some uptown flavor to the magic of the Tony Awards!”

Peter Debruge Chief Film Critic In her own home, Italian American working mom Kristin Balbano Jordan (Toni Collette) is hardly the boss. When her deadbeat hubby isn’t cheating on her, he calls the shots, and her independent-minded son can’t wait to leave for college. At work, her male colleagues undermine her every idea. What Kristin doesn’t realize is that it’s not her destiny to be a doormat. Far from it. Come to find, she’s next in line to run Italy’s well-connected Balbano clan, and though Kristin couldn’t have imagined she was heir to an organized crime family, taking charge amounts to an offer she can’t refuse. A fun fish-out-of-water farce with “Godfather” DNA and a clever female-empowerment kick, “Mafia Mamma” makes inspired use of Collette, who’s never better than when playing women we oughtn’t to have underestimated. Here, using stiletto heels to brutally stab a rival clan’s top assassin, first in the crotch and then in the face, demonstrates that Kristin’s better suited to the job than her enemies could have imagined. While such a graphic scene may come as a shock in a movie that’s more “Under the Tuscan Sun” than “Scarface” (“He had bits of his scrotum stuffed in his eye socket,” reports Monica Bellucci as Bianca, Kristin’s seen-it-all consiglieri), it more than proves that Donna Balbano deserves some respect.

Rebecca Rubin Film and Media Reporter Expect “The Super Mario Bros. Movie” to capture the high score at the box office… again. Despite the release of two new movies — Universal’s wacky Dracula horror-comedy “Renfield” and Sony’s R-rated demonic thriller “The Pope’s Exorcist” — Universal and Illumination’s animated adaptation of the popular Nintendo video game looks to loom large in its second weekend of release. After its towering $146 million debut, “Mario” is estimated to bring in $58 million to $66 million, a 55-60% decline from its opening. The PG blockbuster, which cost $100 million and brought back the all-important demographic of family audiences, has generated $204.6 million in North America and $375 million globally since opening last Wednesday. It’s already the fourth-highest grossing animated movie in pandemic times, following “Minions: The Rise of Gru” ($939 million), “Puss in Boots: The Last Wish” ($480 million) and “Sing 2” ($408 million).

Nick Carter is facing new legal troubles.

Congratulations are in order for Kelly Mi Li!

James Corden is giving fans a glimpse into what life is like as a Kardashian-Jenner assistant.

Rihanna is living the “Friends” life.

Former “Bachelorette” contestant Will Urena was attacked during a recent trip to Colombia.

Fremantle’s revenues rose 21% to €2.3B ($2.44B) and profits were up 15% last year as the super-indie inches toward its target to hit €3B ($3.2B) turnover by 2025.

Oscar-nominated The Case Against Adnan Syed documentary director Amy Berg has become the latest creative to strike a first-look deal with Fremantle.

Manori Ravindran Executive Editor of International British film and TV producers can breathe a sigh of relief after months of uncertainty around the country’s tax relief scheme for production. As part of the U.K.’s spring budget, Chancellor of the Exchequer Jeremy Hunt revealed on Wednesday that he’s raising tax credits and keeping the qualifying threshold in place. This is a welcome move for the TV production community, in particular, which has for years taken advantage of a lucrative scheme in which scripted TV shows with a minimum spend of £1 million ($1.2 million) per broadcast hour are able to claim payable cash rebates of up to 25% on qualifying U.K. spend. The tax breaks have helped to elevate the U.K. into a major hub for international productions, yet the scheme has been under review since the fall, causing some anxiety in the production community.