It’s no exaggeration to say that Korea’s Busan International Film Festival (BIFF) has been through a fair amount of drama this year.
The turmoil started in May when BIFF chairman Lee Yong-kwan appointed a close associate, Cho Jongkook, as managing director alongside artistic director Huh Moonyung, a decision that proved highly unpopular with some sectors of the local Korean film industry.
Huh resigned, and in an apparently unrelated development, was accused of sexual harassment by a festival employee around the same time.
Lee also resigned, Cho was dismissed by the BIFF board, and Oh Seok-geun, director of Busan’s Asian Contents & Film Market (ACFM), who had supported Lee’s decision to hire Cho, also stepped down.
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