As Boromir might have said in some deeply unorthodox, parallel universe adaptation of Lord of the Rings: One does not simply walk into a Bond movie.
For most artists, recording a signature song for a feature film is a task performed once the contract is signed. Not so on Bond, with its long history of iconic musical credit sequences.
On a Bond movie, artists line up for a shot at winning the gig, writing and recording songs on spec in the hopes they’ll get picked.No lesser musician than Johnny Cash, for instance, recorded a song for Thunderball, which was nixed in favor of Tom Jones, who also beat Dionne Warwick to the gig.
Alice Cooper’s “The Man with the Golden Gun” lost out to Lulu’s song of the same name. Blondie had to step aside for Sheena Easton on For Your Eyes Only.
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