“They treat you like a movie star,” says an admirer to Ingeborg Bachmann at one of her celebrated readings. She smiles graciously and agrees, thus establishing the baseline for her story.
Ingeborg Bachmann may not be a familiar name to many people outside the German-speaking world, but veteran German director Margarethe von Trotta evokes this mid-century poet’s struggle with life, love, and language in a mood piece so persuasively intimate that it doesn’t matter whether or not you have heard of her.
What matters is that you understand immediately that this is a woman of remarkable talents, a brilliant woman who is visibly colluding in her own destruction by a controlling man.
One of the oldest stories in the world, in other words, made immediate by Vicky Krieps’s mercurial portrayal and Von Trotta’s extravagant, operatic and equally mercurial direction The film is clearly a meeting of minds.
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