Chris Willman Senior Music Writer and Chief Music Critic Devo was, and is, the ultimate future-proof band. When they first entered the public consciousness in the late ‘70s, Mark Mothersbaugh, Gerald Casale and company seemed impossibly ahead of their time — in a primitive-futurist kind of way — and they still do.
There’s very little that you could consider dated about the 50 cuts on their new career retrospective, “50 Years of De-Evolution 1973-2023,” since their worldview always kind of seemed to be trained on offering up dystopianism with a smile and a jacked-up synth-rock beat.
De-evolution, for better or worse, is timeless, and so, apparently, are the men who introduced it to the world. Beyond the just-released Rhino collection, the band is engaged in a round of touring that will take them up and down the west coast through the first three weeks of November, including a show at L.A.’s YouTube Theatre on Nov.
16 and a festival date in Orange County two days later. (Scroll down for the full list of dates.) They admit they may not be timeless in every regard.
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