Anne Hathaway Says It's An Honor To Play a Jewish Mother in 'Armageddon Time'

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Jessica Chastain dazzled in a 1960s era costume as she and Anne Hathaway continued to film their movie Mother's Instinct in New Jersey on Friday.The 45-year-old Molly's Game star walked around the set in a light blue robe that ruffled at the neck and tightened at the waist with a belt.It was styled with a pair of white slip on shoes. Retro:Jessica Chastain dazzled in a 1960s era costume as she and Anne Hathaway continued to film their movie Mother's Instinct in New Jersey on FridayInstead of her signature flaming red tresses, Chastain sported a bright blonde shoulder-length wig.She was caught staring down at her cellphone while walking out of her trailer towards set.

Anne Hathaway is back from her trip to the Cannes Film Festival and she’s already at work!

Anne Hathaway and Jessica Chastain were seen dressed as 1960s suburban housewives on the set of Mother's Instinct in Union County, New Jersey.On Wednesday, the Oscar-winning actresses, who play best friends and neighbors Alice (Chastain) and Celine (Hathaway), appeared to be enjoying their first day of shooting the highly-anticipatedpsychological thriller.In one scene, the Locked Down star,39, could be seen leaving her home in a blue dress and matching heels to drop off her onscreen sons to school. Glamorous: Anne Hathaway and Jessica Chastain were seen dressed as 1960s suburban housewives on the set of Mother's Instinct in Union County, New JerseyHer brunettes tresses were perfectly coiffed and she also sported a pair of elegant white gloves and matching sunglasses.

Anne Hathaway is being crowned the haute couture queen of the Cannes Film Festival. And fans of the brunette bombshell are digitally reveling over the early-2000s diva’s fashionable resurgence. “Can we all take a moment to appreciate Anne Hathaway looking like a goddess in Cannes,” tweeted an admirer of the Oscar winner, alongside a snapshot of her in a sequin, floral-print two-piece ensemble by Schiaparelli. “I love this Anne Hathaway renaissance we’re going through,” chimed another. Making her debut at the annual silver screen soirée over the weekend, Hathaway, 39, repeatedly turned heads in high-fashion finery for the premiere of her feature flick “Armageddon Time,” starring Anthony Hopkins, 84, and Jeremy Strong, 43. And immediately after touching down in France on Wednesday, the blockbuster beauty transformed the Nice Côte d’Azur Airport into a virtual runway, sashaying through in a chic, loose-fitting pantsuit.  From there, Hathaway ditched her trendy traveling togs to don a white strapless Armani Privé gown, reminiscent of her “Princess Diaries” glamor, on the film festival’s star-studded red carpet Thursday. The flawless fashion plate continued to outdo herself throughout the duration of the weekend, rocking a blue mini dress by Gucci Friday, stunning in a coffee-colored Louis Vuitton number Saturday and beaming in a hot pink piece by Valentino Sunday. And the luxe looks sent Hathaway enthusiasts into a full-on Twitter tizzy. “Anne Hathaway at the cannes film festival.

By During her first trip to the Cannes film festival for the premiere of her movie Armageddon Time, Anne Hathaway floated in a white column of Armani Privé and a Bulgari necklace so absurdly blingy that it brought to mind the Heart of the Ocean necklace from the movie Titanic. Styled by Erin Walsh, who has worked with Hathaway for years, the Cannes looks have been something of an onslaught—a glorious , like a yassified curtain. A prim Louis Vuitton mini.

films of the season. It's also a majorly important for fashion, since film premieres require some serious looks on the red carpet. And who's been bringing their style A-game this time around? None other than Anne Hathaway, who has been in Cannes to promote her new film Armageddon Time, a historical drama alongside an all-star cast including Anthony Hopkins and Jessica Chastain that is her latest big project after tv series We Crashed.

Anne Hathaway as she attended the Cannes Film Festival for the premiere of her new 1980s period drama, Armageddon Time. On Thursday, the 39-year-old actress made her red carpet debut at the iconic film fest in Cannes, France. The Devil Wears Prada star turned heads in a two-piece sequin Armani Privé gown.

IT was all white on the night for both Kylie Minogue and Anne Hathaway as they stepped out in Cannes. Kylie, 53, posed in a Grecian-style dress as she arrived at the French Riviera town’s film festival.

Anne Hathaway is channeling one of her most iconic characters. On Thursday, the 39-year-old actress stepped out for a screening of her new flick, , at the 2022 Cannes Film Festival, and gave off serious Mia Thermopolis vibes.Hathaway stunned on the red carpet in a custom, white Giorgio Armani Privé gown that included a train and oversized bow.

Armageddon Times, which was featured at the festival. Her longtime stylist confirmed on Instagram that Anne Hathaway is a “Gucci Girl!” in this ‘60s-style minidress.The dress's mod-style silhouette was kept from leaning too into costume by the addition of a cone bra a la from the early '90s. The cobalt blue bustier top matches the similar colored shiny accents on the dress that are lifted against the black base. The 39-year-old actor gave modern glam to this vintage styling by wearing a that didn't overwhelm the complete look.

Anne Hathaway is looking so chic for her second appearance at the 2022 Cannes Film Festival!

Armageddon Time. It was, surprisingly, the star’s and the actor certainly dialed up the glamour for her inaugural arrival, leading many fans to notice a striking resemblance to one of her previous characters, Princess Amelia Mignonette Thermopolis Renaldi of Genovia in The Princess Diaries.Anne Hathaway at Cannes Film FestivalFor those who don’t remember the 2001 Disney classic, Anne Hathaway plays an awkward teen who finds out from her estranged grandmother (Julie Andrews) that she is the sole heir to the fictional European kingdom of Genovia.

Clayton Davis James Gray’s “Armageddon Time,” a deeply personal look at how the auteur became the auteur we, or at least the French, came to know and love, debuted to warm applause on Thursday. However, the film’s problematic depiction of racial inequalities in the Reagan era may turn off awards voters.

CANNES – James Gray’s new film, “Armageddon Time,” is an autobiographical tale recounting the systematic racism he witness at the age of 12-years-old over four decades ago. His parents are played by Anne Hathaway and Jeremy Strong, while he’s reimagined as Paul, an artistic dreamer portrayed by Banks Repeta.

Anne Hathaway is looking incredible on the Cannes red carpet!

Matt Donnelly Senior Film WriterAnne Hathaway and Jeremy Strong made the end of the world seem pretty fabulous on Thursday night, hitting the Croisette for the Cannes Film Festival premiere of writer-director James Gray’s “Armageddon Time.”Gray’s semi-autobiographical film about growing up in 1980s Queens stars newcomers Banks Repeta (as the Gray surrogate) and Jaylin Webb (as his best friend). Hathaway and Strong play solid a Jewish couple with dreams of upward mobility.

Jessica Chastain surprised audiences at the Cannes Film Festival on Thursday, when she appeared in an unannounced cameo in the 1980s coming-of-age drama “Armageddon Time” as Maryanne Trump, Donald Trump’s sister.Chastain’s role is small but effective. As Maryanne Trump, she appears as a guest lecturer at an austere private school where the film’s young protagonist, Paul (Banks Repeta), matriculates mid-film. She lectures the privileged boys and girls about the value of ambition in a Phyllis Schlafly-esque beehive.

“You can’t ever forget about the past,” Anthony Hopkins says with gentle heed and caution, in a key moment in writer/director James Gray’s intimate new film, “Armageddon Time,” a compassionate movie in perpetual contemplation of our collective accounts, both personally, socially and historically. After venturing out into the jungle (“The Lost City Of Z”), exploring the unfathomable unknowns of deep space (“Ad Astra”) and coming to the same conclusions about the dark heart of human nature, Gray returns to the pavement of his New York City roots for one of his most emotionally honest works regarding the elemental moments of life, love and loss.