Jem Aswad Senior Music EditorAngel Olsen’s new album, “Big Time,” is the kind of rare, generation-spanning album that you could give to your sister, your aunt or your grandparents.
Its 10 soulful, country-inflected songs recall everything from Dusty Springfield’s 1969 masterpiece, “Dusty in Memphis,” to Shelby Lynne’s 2001 Grammy-winning “I am Shelby Lynne,” from Tammy Wynette to Lucinda Williams — and at the center of it all are Olsen’s soaring songs and crystalline, versatile voice.
It’s also a memoir of coming out, of the pandemic and of mourning her parents (who died within months of each other in 2021), without explicitly being about any of those things.Like most working musicians, Olsen saw her thriving career screech to a halt in March 2020, after nearly a decade of constant touring and five increasingly critically praised and diverse indie albums, capped with 2019’s stellar “All Mirrors.” Yet she’d also been struggling rather publicly with her sexuality, with men-are-kinda-shitty-am-I-gay?
musings in interviews over the years, and found the answer to that question in her relationship with writer Beau Thibodeaux, which the pair announced last spring.
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