Alessandra Ambrosio Wore a Naked Wedding Gown to Cannes Film Festival

Emilio Mayorga “The Once and Future,” a hybrid project directed by Yeo Siew Hua winner of Locarno’s top prize in 2018 with “A Land Imagined,” will open at the upcoming Singapore Festival of Arts (SIFA).Edson Sidonie’s Buenos Aires-based Bikini Films and Roger García’s General Film Services in the U:S: have teamed for this multi-platform  project which will be made as a feature, opera and performance show.Announced as an “expanded cinema experience,” the story is set in the  near future, when the planet has become unsustainable and humankind prepares for a planetary exodus to escape extinction.Unable to withstand the voyage, people must leave their bodies behind and upload the totality of human experiences into something called The Labyrinth. The human race is finally just one.

Landmark Theatres has entered into a long-term lease agreement for the Playhouse 7 movie theatre in Pasadena, CA, which was previously operated by Laemmle Theatres since Feb. 5, 1999.

Austin Butler, Tom Hanks, and Olivia DeJonge. The red carpet was full of some of our favorite names like Shakira, Ricky Martin, and Georgina Rodriguez.

Electronic Arts (EA) has shared that the company will not make a public statement defending abortion or transgender rights, claiming that “being an inclusive company means being inclusive of all […] points of view.”During an internal company-wide town hall meeting on Tuesday (May 24), Kotaku has reported that “many” employees at EA repeatedly asked company leadership to make public statements to defend abortion rights and transgender rights.However, according to a transcript of the meeting, chief people officer Mala Singh told employees that EA will only make public statements that “actually have a positive impact.”“These things are hard and they’re personal and we all have our own perspectives and sometimes we won’t speak, and that will be upsetting and I understand that, we really do,” added Singh, who said that EA considers “multiple perspectives and then decide what’s in the best interest of EA and the various communities of stakeholders we have, including our people, our players, our fans and stakeholders, [and] our shareholders.”Addressing recent mass shootings in America and a potential overturning of Roe v. Wade, Sing said “one of the other things you’re going to see is we’re going to be making some more healing circles available through modern health.”It’s unclear what these healing circles entail, but EA’s corporate communications director Lacey Haines said “we’re not going to comment further on the Global Town Hall, as that is a company confidential forum.”“That said, we work to create an environment where our employees can talk about complex issues in our world today.

Patrick Frater Asia Bureau ChiefProduction has wrapped in both Singapore and Japan on Nicole Midori Woodford’s supernatural art house drama “Last Shadow at First Light.” It stars Nagase Masatoshi, Tsutsui Mariko (“Harmonium,” “A Girl Missing”), Peter Yu (“A Land Imagined”) and newcomer Shirata Mihaya.The story examines the intangible nature of trauma and the ripples of its aftermath through 16-year-old Ami (Shirata) who is haunted by visions.“This is a film borne out of darkness and loss, of a family’s frailties, set in both Singapore and Japan. Shooting between two countries, I hope to capture the diverse mise-en-scene from the urban cities to the vast transformed landscapes my characters are lost within.

Martha Stewart hosted her first-ever yard sale and she had lots of famous faces in attendance.Blake Lively, 's Sunny Hostin and Joy Behar and Kris Jenner all made an appearance at Stewart's New York home. The yard sale was held as part of a new ABC special , which will see the lifestyle guru part ways with pieces from her vast collection of furniture, art and housewares.Stewart spoke to ET about the sale which helped raise more than $800,000 for The Martha Stewart Center for Living at Mount Sinai Hospital, which provides assisted living to older adults and their families.«I'm having my first-ever, very exciting, tag sale.

Everything Everywhere All At Once has broken a US box office record for indie studio A24.The ambitious, multi-dimensional martial arts film, direct by The Daniels (Dan Kwan and Daniel Scheinert), overtook Uncut Gems as the studio’s highest-grossing movie ever, making $52,263,484 (£41,829,079) at the US domestic box office after the weekend.The Michelle Yeoh-starring film could be on course to overtake Ari Aster’s horror movie Hereditary as A24’s highest-grossing movie worldwide ($80million) – especially as it still hasn’t opened in all international markets yet, even after its delayed release in UK and Ireland cinemas on May 13.Yeoh plays Evelyn Wang in the film, a mother thrown into a sci-fi action-adventure – alongside Jamie Lee Curtis, Stephanie Hsu and Ke Huy Quan – after she learns she’s able to access the memory and skills of alternate versions of herself throughout the multiverse.Watch the trailer for Everything Everywhere All At Once below.Earlier this month (May 13), Yeoh said she texted Jackie Chan teasing him about turning down the lead role.The martial arts legend was originally envisioned by Scheinert and Kwan as playing Everything Everywhere All At Once‘s main character. However, when he said he was unavailable, they rewrote the part for Yeoh.“Jackie actually texted me,” she told the Guardian about his response to the film.

Anne Hathaway is being crowned the haute couture queen of the Cannes Film Festival. And fans of the brunette bombshell are digitally reveling over the early-2000s diva’s fashionable resurgence. “Can we all take a moment to appreciate Anne Hathaway looking like a goddess in Cannes,” tweeted an admirer of the Oscar winner, alongside a snapshot of her in a sequin, floral-print two-piece ensemble by Schiaparelli. “I love this Anne Hathaway renaissance we’re going through,” chimed another. Making her debut at the annual silver screen soirée over the weekend, Hathaway, 39, repeatedly turned heads in high-fashion finery for the premiere of her feature flick “Armageddon Time,” starring Anthony Hopkins, 84, and Jeremy Strong, 43. And immediately after touching down in France on Wednesday, the blockbuster beauty transformed the Nice Côte d’Azur Airport into a virtual runway, sashaying through in a chic, loose-fitting pantsuit.  From there, Hathaway ditched her trendy traveling togs to don a white strapless Armani Privé gown, reminiscent of her “Princess Diaries” glamor, on the film festival’s star-studded red carpet Thursday. The flawless fashion plate continued to outdo herself throughout the duration of the weekend, rocking a blue mini dress by Gucci Friday, stunning in a coffee-colored Louis Vuitton number Saturday and beaming in a hot pink piece by Valentino Sunday. And the luxe looks sent Hathaway enthusiasts into a full-on Twitter tizzy. “Anne Hathaway at the cannes film festival.

Naman Ramachandran The late Govindan Aravindan’s 1978 masterpiece “Thamp̄” (“The Circus Tent”) is one of two Indian films at this year’s Cannes Classics selection, alongside Satyajit Ray’s “Pratidwandi” (“The Adversary”) from 1970.“Thamp̄” was painstakingly restored by India’s Film Heritage Foundation (FHF), an organization founded by filmmaker Shivendra Singh Dungarpur (“Celluloid Man,” “CzechMate: In Search of Jirí Menzel”) in 2014. Dungarpur facilitated the restoration of Uday Shankar’s landmark film “Kalpana” (1948) by Martin Scorsese’s World Cinema Foundation, the restored version of which premiered at the Cannes Film Festival in 2012.

In part deux today of the Cannes Film Festival symposium on cinema, three female filmmakers were represented in You Were Never Really Here‘s Lynne Ramsay and Grand Central‘s Rebecca Zlotowski and French actress/director/scribe Agnes Jaoui, unlike yesterday when it was all men. The festival on social media took a licking for being tone deaf in the wake of yesterday’s panel.

Lise Pedersen The top IEFTA (Intl. Film Talent Assn.) award for docs-in-progress at the Cannes Film Market’s documentary-focused industry sidebar Cannes Docs has gone to “Twice Colonized” by Lin Alluna.The film was developed by the Circle Women Doc Accelerator, a training program for female-identifying documentary filmmakers.The win marks a hat-trick for Circle since they started their partnership with Cannes Docs in 2020: previous IEFTA Docs-in-Progress Award laureates at the industry event include “Beauty of the Beast” by Anna Nemes, produced by Circle 2018 alumna Ágnes Horváth-Szabó, and “Cent’anni” by Circle 2020 alumna Maja Prelog, produced by Rok Biček.“Twice Colonized” tells the story of renowned Inuit lawyer Aaju Peter who has led a lifelong fight for the rights of her people.

Normally getting into a fender bender is a rather unpleasant experience.But not for one lucky driver who got into an accident with none other than Adam Sandler on Sunday.The star-struck young womantook a selfie with Sandler, 55, and beamed from ear-to-ear after getting into a minor collision with him on San Vicente Boulevard in Brentwood, California. No road rage here! Adam Sandler delighted one young woman after accidentally getting into a fender bender with her on SundayAdam was happy to oblige, flashing a smile as he leaned in close to the young woman as she held out her phone to take the picture.The duo were even grinning as they inspected their parked cars.

The Academy of Motion Picture Arts and Sciences’ board of governors said Tuesday that it has reappointment current governors-at-large DeVon Franklin (Executives Branch), Rodrigo García (Directors Branch) and Janet Yang (Producers Branch) to additional three-year terms. The new term begins July 1.

EXCLUSIVE: Bobby Lee (And Just Like That…) has signed on to star alongside Justina Machado, Will Sasso, Gregg Sulkin and Michelle Randolph in Mario Garcia’s feature directorial debut, The Throwback, which is currently in production in the Tampa Bay area.

This is the house that Jason built — and the American Cinematheque will celebrate both this year. The cultural arts org will present Jason Blum and his company Blumhouse with the 2022 Power of Cinema Award.

Rise Films is nearing the end of what has been a monumental month for the London-based production outfit. Last week, HBO Max launched the company’s two-part documentary George Carlin’s American Dream, which chronicles the life and five-decade career of the comedian with Judd Apatow in the director’s seat.

Naman Ramachandran Indian documentary “From the Shadows,” by Miriam Chandy Menacherry (“Lyari Notes”), has been selected for the Breaking Through the Lens initiative at the Cannes Film Market.The initiative connects female and non-binary directors to finance at top-tier film markets.In the documentary, artist Leena Kejriwal relentlessly sprays silhouettes on public walls tagged #missing, activist Hasina Kharbhih accompanies girls rescued from child sex trafficking across international borders, and survivor Samina fights a long and arduous legal battle against her traffickers. Parallel narratives intersect to reveal a sliver of hope when women challenge a powerful trafficking nexus operating in a country where every eight minutes a child goes missing.

The International Coalition For Filmmakers At Risk (ICFR) has demanded “an end to a growing environment of fear and insecurity” in Iran after two documentary creators were arrested then released on bail, preventing them from travelling or working.

In David Cronenberg’s latest genre twister, Crimes of the Future, Viggo Mortensen and Lea Seydoux plays partners who are performance artists, engrossed in performing surgery (largely on the former) for public nightclub spectacle. They’re enthralled with the freedom they can take on each other’s bodies. All of this in a governing society that’s not too fond of it.

Just when his fans may have figured that David Cronenberg had called it a career (he’s now 79 and hadn’t made a feature since the misfired Maps to the Stars in 2014), along comes a film that only the Canadian maestro of the perverse could have created.

There’s a lot of weird fetishes in this world, which we won’t go into, but for David Cronenberg’s Crimes of the Future, the new sex is surgery.