Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.
Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.
Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.
After ‘Rock, Paper, Scissors,’ BFI Network Sends Beacon for More Narrative VR Projects: ‘There’s a Real Appetite’
variety.comBen Croll As director Alex Ruhl’s “Rock, Paper, Scissors” continues an international festival tour, the project’s funder has sent out a message to other immersive titles considering public support: BFI Network is open for business. “We are open for all applications, and accepting narrative fiction VR projects,” says BFI Network talent exec Alexzandra Jackson. “I had such a good experience working with Alex [Ruhl] on ‘Rock, Paper, Scissor’ that I would certainly love the opportunity to work on more.” The new and emerging talent arm of the BFI, BFI Network looks to invest in filmmakers outside of London and Southeast England, keeping scouts in a number of English regions and satellite offices in Scotland, Northern Ireland and Wales.
Since 2018, the development org has held an annual call for projects, offering up to £25,000 ($31,500) for short narrative fiction development titles. “We’re looking for talent who have been under-represented or denied opportunities in the past,” says Jackson, who has helped fund more than 40 shorts in the past five years through her Midlands-based branch. “We’re seeing how to remove barriers for people to enter the film industry, [because] hopefully more production could happen outside of London.” If film was once the (lone) operative word, in 2020 BFI Network took a chance on a Leicester-based, new-media creative running pop-up VR Cinema. “Alex’s VR Cinema would consistently sell out,” Jackson recalls. “She would have two, three rounds of audiences coming in to watch the same experiences.
She was so fascinating and engaging and enthusiastic about immersive stories – and that’s kind of infectious. You start thinking, how can we fund this kind of work?” An interactive family saga in
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