Stephen Rodrick There’s an iconic scene in 1978’s “Superman” of Clark Kent, played by Christopher Reeve, spying Lois Lane dangling from a helicopter.
He locates a revolving door, emerges as the Man of Steel, and soars upward and catches a falling Lane. “Easy, miss, I’ve got you,” says Superman.
Lane is still panicking. “You’ve got me? Who’s got you?” Superman smiles, offers a casual goodbye and flies off into the night, his forelock perfect.
It’s the image the world held of Reeve until 1995. And that’s where Ian Bonhote and Peter Ettedgui’s new documentary, “Super/Man,” picks up a very different version of the hero’s journey.
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