Owen Gleiberman Chief Film CriticI’m a sucker for card-sharp movies, and I’m not alone. The allure of films like “The Cincinnati Kid” or “California Split” or “Rounders” is that the poker games have the quality of athletic showdowns: the kind of hand-to-hand, eyeball-to-eyeball aggression we associate with a contest taking place in a gladiatorial arena.
But in a card movie, it’s all done sitting in chairs, with mental acuity (and fate!) as the only weapon. Great poker scenes, in their slyly civilized cards-close-to-the-vest way, formalize the desire to destroy your opponent, but they’re also layered with a drive to psych him out that most combat scenes don’t have.
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