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revival of “A Doll’s House,” starring Oscar winner Jessica Chastain, that opened Thursday night on Broadway. Running time: 1 hour and 40 minutes. At the Hudson Theatre, 141 W.

Jamie Lloyd Jessica Chastain Henrik Ibsen Hudson Theatre Marina Abramovic Tammy Faye Britain Norway broadway theater reviews Plays 3/9/23

‘Death of a Salesman’ Broadway review: So-so revival lacks fire

Caroline, Or Change.” Whereas Caroline was stalwartly cold, Clarke’s Linda is an amiable “Stand By Your Man” type. She never recoils when Willy shouts at her, and in her dewy eyes he can do no wrong. At times, her constant devotion bowls you over; at others, it is one-note.And Khris Davis is Biff, the favorite son who moved out West against Willy’s wishes and can’t live up to his father’s lofty dreams.

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‘1776’ Broadway review: Woke musical revival isn’t revolutionary

new revival of the show that opened Thursday night on Broadway, absolutely ironclad — and able to stand up to pointless, auteurist, burdensome, woke concepts like the one on display at the American Airlines Theatre.Two hours and 40 minutes with one intermission. At the American Airlines Theatre, 227 W.

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‘Leopoldstadt’ Broadway review: Tom Stoppard’s play is too big and icy

Three Minutes: A Lengthening,” similarly, is about a recently discovered reel of film that is the only evidence that thousands of murdered Jewish residents of a small Polish town ever lived. Many of their names, even so, are lost to time.The pages of Stoppard’s drama, loosely inspired by the British playwright’s own family, slowly flip like a hefty fading photo album, too, and while that strikes an appropriate tone it also creates a theatrical problem.

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‘The Kite Runner’ Broadway review: Gripping stage adaptation of bestseller

Khaled Hosseini’s 2003 tearjerker novel “The Kite Runner” has no shortage of terrible traumas: deaths, beatings, a rape, the disastrous takeover of Afghanistan by the Taliban. To say the very least, it’s a lot. All that immense pain could prove overwhelming for the reader, yet the author’s gift for writing sumptuous imagery and tender, nuanced relationships softens the blow.

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‘The Bedwetter’ review: Sarah Silverman’s life makes a leaky musical

comedian Sarah Silverman’s memoir, is not as tight as a fitted sheet.Potential abounds in the tangled show, which opened Tuesday night off-Broadway at the Atlantic Theater Company, especially in its central idea: that, to the mile-a-minute mind of a 10-year-old, waking up wearing wet pajamas can feel as emotionally traumatic as an adult dealing with divorce or depression. Life already sucks, even at 10.“The Bedwetter” uses little Sarah’s nighttime problem as an insightful window into the struggles of the eccentric grown-ups in her family. 2 hours, with one intermission.

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‘Macbeth’ Broadway review: Daniel Craig play is a Disaster Royale

Is this a Walther PPK which I see before me? Almost! It’s former James Bond actor Daniel Craig, who’s starring as the Scottish king killer in “Macbeth” on Broadway. His uninvolving and ponderous production (it opened Thursday night at the Longacre Theatre, but barred critics from publishing reviews till midday Friday for reasons that will soon become obvious to you) is a real Blunderball.Two hours and 20 minutes, with one intermission. At the Longacre Theatre, 220 W 48th Street.

Daniel Craig Ruth Negga Sam Gold Scotland Shakespeare theater reviews Disaster

‘A Strange Loop’ review: Pain with a side of anguish on Broadway

“Ouch!” is the main takeaway of the intriguing, autobiographical new musical “A Strange Loop,” which opened Tuesday night on Broadway. It’s blow after blow after blow. And then some metaphorical slaps, kicks and scratches for good measure.

Michael R.Jackson Morgan Lee James Jackson John Michael Lyles John Andrew Morrison broadway theater reviews broadway musicals

‘The Skin of Our Teeth’ review: A set as big as the running time

Three hours with two intermissions. At the Vivian Beaumont Theater, 150 W 65th Street.The set is the real star of “The Skin of Our Teeth,” Thornton Wilder’s geezer of a play that opened Monday night on Broadway.Up at Lincoln Center’s Vivian Beaumont Theater, designer Adam Rigg’s spectacular scenery for the revival is as mammoth as the woolly mammoth that stomps around the characters’ living room along with an adorable brachiosaurus.

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Hilarious ‘Hangmen’ is the best new play on Broadway

You’re absolutely wracked with guilt at “Hangmen” — from laughing so hard at the many, many inappropriate jokes. A crude sight gag near the end had me practically dry heaving. That nonstop naughtiness is what makes Martin McDonagh’s killer satire the best new play on Broadway by a green mile. Two and a half hours, with one intermission.

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‘For colored girls’ review: Broadway play has lost its edge

An awkward question nags at audience members during the play “for colored girls who have considered suicide/when the rainbow is enuf”: 90 minutes with no intermission. At the Booth Theatre, 222 W 45th Street.Just how relevant is this show anymore?The sluggish revival of the 1976 drama, which opened Wednesday night on Broadway, doesn’t make a particularly compelling case for its up-to-the-minute-ness. The play comes across, unfortunately, as an antiquated time machine that’s at odds with the current conversation.

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‘The Minutes’ review: Tracy Letts’ latest has a queasy ending

who replaced Armie Hammer) sticks in everybody’s craw as a doe-eyed, but not-so-gullible new member of the council, who was absent from the last meeting and keeps demanding to see the minutes. But they’re nowhere to be found.The secret of that document, we quickly learn, lies with Mr.

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‘The Little Prince’ review: A lackluster dance show not fit for Broadway

désolé. Or, perhaps, NYC should apologize for booking it.The woeful touring dance show, which opened Monday night at the Broadway Theatre, does not belong whatsoever where it’s currently situated.

Anne Tournié Chris Mouron USA New York dance broadway theater reviews

Warm ‘Birthday Candles’ on Broadway has Debra Messing age 90 years

There are flickers of beauty in the new play “Birthday Candles,” which opened Sunday night on Broadway.Noah Haidle’s warm-but-flawed dramedy, with great feeling and occasional poignancy, takes us through 90 years of an average Michigan woman’s life. 90 minutes, At the American Airlines Theatre, 227 W 42nd Street.Of course, when you condense nine decades into an hour and a half, both bliss and tragedy arrive faster than spam emails on a Monday. The name of Ernestine’s hometown, Grand Rapids, describes her rocky, unpredictable road well. After every victory for Ernestine (Debra Messing) — an invitation to prom, the birth of a child, the starting of a new business — a crushing blow soon follows.

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‘Lehman Trilogy’ review: Broadway turns a big bank into big drama

I found Ben Power’s play pretty dull at the UK’s National Theatre in 2018, and was bored out of my mind for most of its flight-to-the-Bahamas runtime. But back then it was performed in a cavernous space that swallowed it whole. Deadly.

Sam Mendes Adrian Lester Adam Godley Simon Russell Simon Russell Beale Britain New York Bahamas state Alabama broadway theater reviews

Neil LaBute’s new COVID-19 play has no live actors

mocked Zoom meetings in episodes that were filmed from the cast’s apartments. Richard Nelson’s play “What Do We Need To Talk About?” depicted a WASP family’s Zoom call.

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