All astronaut movies about losing your mind in the lonely, alienating depths of space essentially harken back, more or less, to Andrei Tarkovsky’s “Solaris” in 1972 (though yes, the novel and several others covered this ground, too). The premise, adopted in dozens of films since Steven Soderbergh’s “Solaris” remake, James Gray’s “Ad Astra,” and the recent Adam Sandler vehicle “Spaceman,” is practically its own sub-genre at this point.
