Raging Bull: Last News

There isn’t a director-editor relationship in Hollywood more fruitful than Martin Scorsese and Thelma Schoonmaker. The pair have worked on every single one of Scorsese’s films since 1980’s “Raging Bull,” and first worked together on Scorsese’s 1967 debut, “Who’s That Knocking On My Door?” That’s twenty one movies in all, with Schoonmaker winning Oscars for Best Editing for three of them: “Raging Bull,” “The Aviator,” and “The Departed.” READ MORE: ‘Killers Of The Flower Moon’ Review: Lily Gladstone Is Devastating In Martin Scorsese’s Indigenous Epic [Cannes] But despite Schoonmaker’s three Oscar wins, a record for female editors, Scorsese only has one: for Best Director on “The Departed.” And as far as his longtime editor is concerned, he deserves many more than that.

fellow filmmaker and best director winner Martin Scorsese who was ripped in The Critic for “lazily” making mob movies and other projects that are “routinely an hour too long.”Putting it rather bluntly, del Toro Tweeted “If God offered to shorten my life to lengthen Scorsese’s- I’d take the deal.” “This man understands Cinema. Defends Cinema. Embodies Cinema.

Someone on Film Twitter was recently asking, what’s all the fuss about the upcoming Criterion Collection July announcement, and why are they building it up to be such a thing? Well, it’s because we’re all going broke in July and the Criterion Collection is going to make it rain with cinephile classics this summer, both modern masterpieces, and good ol’ legendary goats. The Collection is really going for it in July.