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anything — to get back her grandson.The film doesn’t start out so ruthless. After Margaret (Lane) and George’s (Kevin Costner) son dies from falling off a horse, leaving behind his young wife, Lorna (Kayli Carter), and newborn son, the movie falls into a therapeutic trance.

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‘Hubie Halloween’ review: Not Adam Sandler’s ‘worst movie ever’ after all

he’d make the worst movie ever in revenge.“If I don’t get it, I’m going to f–king come back and do one again that is so bad on purpose just to make you all pay,” the evil actor, 54, said. “That’s how I get them.”Threatened and afraid, I went into his new comedy “Hubie Halloween,” released on Netflix eight months after his Oscar snub, prepared for some cinematic waterboarding.

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‘2067’ review: A boring, time-traveling climate change film

way down under — beneath the planet’s surface — and subsisting on one corporation’s artificial oxygen that is beginning to sicken some who use it.“The O2 rejection epidemic is going to wipe out the human race in a handful of years,” says a shady leader who’s also sort of a villain. For those of you who think this plot is a realistic cautionary tale for our messy century, wait till I get to the part where, a mere 47 years from now, we’ve invented time travel.Yes, in Oz there is a temporal portal — straight outta “Stargate” — which has informed the earthlings that 400 years in the future, air has somehow returned to their hurting home.

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‘The Artist’s Wife’ review: A film about identity can’t find its own

Bruce Dern). The setup closely resembles 2018’s “The Wife,” starring Glenn Close — but in this case, the stakes are lower.

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‘On The Rocks’ review: An ingenious Bill Murray will make you miss NYC

In the pantheon of perfect Bill Murray roles — “Caddyshack,” “Groundhog Day,” “Lost In Translation” — his smooth-talking character in the new comedy “On The Rocks” ranks as one of the best.He plays Felix, a suave New York renaissance man and art dealer in Sofia Coppola’s wonderful movie — the pair’s first narrative feature collaboration since 2003’s “Lost In Translation” — which premiered Wednesday night in the New York Film Festival.Murray, bless him, brought me back to the New York we all miss like hell; the city of late-night spontaneity we’re told we might not get back.All of us, for example, have experienced some version of this scene: In the middle of the film, a cop pulls over Felix’s red sports car, which he’s been speeding like a

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‘I Am Woman’ review: Helen Reddy biopic stars stellar leading lady

Helen Reddy makes of the one we’re loving in 2020: Cardi B’s “WAP.”If Tilda Cobham-Hervey’s lively-eyed portrayal of Reddy is accurate, I bet the 78-year-old entertainer is getting a kick out of the raunchy ode to women’s pleasure. What really bugged Reddy were sad-sack songs like 1966’s hit “Born a Woman” — “A woman’s place in this old world/Is under some man’s thumb…”The Australian singer became a household name in 1972, when her fiery first single “I Am Woman” hit at just the right time to galvanize the women’s movement, which was advocating for the Equal Rights Amendment.

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‘The Personal History of David Copperfield’ review: Dickens is… hilarious?

Teens going back to school: Do not watch the movie “The Personal History of David Copperfield” for class in lieu of reading the book.

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‘The Secret: Dare To Dream’ review: Katie Holmes, get some self-help!

kooky 2006 positive-thinking book by Rhonda Byrne, the movie has Katie Holmes play a Louisiana crab fisherman whose life is forever changed by a traveling gent who spouts New Age wisdom. This schlock belongs in the VHS player at a cult’s orientation breakfast.Our first taste of what’s to come is this early scene: A smiley fella named Bray (Josh Lucas), who calls himself a professor, is having dinner with Miranda (Holmes), a widowed shellfish aficionado, and her three chirpy kids.

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‘Kissing Booth 2’ review: More of the same YA drivel

The Kissing Booth 2” is, but trust me — it’s bigger than Jesus. It is a Netflix teen phenomenon: the rare sequel of a film that holds a dismal 17% score on Rotten Tomatoes and then sets up yet another sequel.It’s long, dumb and there’s nothing below these high-school students’ conspicuously perfect complexions.

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‘Scoob!’ review: Scooby-Doo reboot ruins a classic

It’s taken 51 years, but someone has finally done in “Scooby-Doo.”

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‘Capone’ review: Tom Hardy is an embarrassment in botched mob mess

Tom Hardy really dodged a bullet with this one. The actor’s new biopic “Capone” skipped its theatrical release due to the coronavirus pandemic and, as a result, few people seem to know it exists. Lucky for Hardy, because he makes the worst Al Capone ever.

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‘Driveways’ review: One of Brian Dennehy’s last films is also one of his best

If you want to celebrate the life of legendary actor Brian Dennehy, who died last month at age 81, start with one of his final films: “Driveways.” His performance as a widowed veteran is right up there with his finest screen work, which makes his passing all the sadder.

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‘Deerskin’ review: Meet the killer jacket from hell

A new outfit has real power.

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‘Extraction’ review: Chris Hemsworth kicks ass in so-so action flick

Sometimes it’s refreshing when a movie is just an improper noun that delivers what it promises.

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‘Must see!!!’: Movie critic Britney Spears gushes over flop ‘Dolittle’

We movie critics may have loathed “Dolittle,” but Britney Spears doesn’t think it’s “Toxic” at all.

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'Bloodshot' review: Vin Diesel's action charisma at full boil in comic book movie

By Owen Gleiberman, Variety.com

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'The Way Back' review: Affleck film lacks rawness

LOS ANGELES (Variety.com) – In “The Way Back,” Ben Affleck, sombre and looming, with a no-frills conviction he hasn’t shown as an actor in quite some time, plays Jack Cunningham, a former high-school basketball superstar who never made it big and has fallen on hard times.

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‘The Outpost’ review: A horrific and brilliant battle scene

400 Taliban fighters let loose on about 50 Americans days before the outpost was to be disbanded. Eight Americans were killed and 27 were wounded.

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‘You Should Have Left’ movie review: You shouldn’t have rented this

“You Should Have Left”: instant obviousness.Generally speaking, there needs to be an unraveling in scary movies to give us somewhere to go. A happy cul-de-sac becomes a serial killer’s canvas, or that sweet couple in the apartment next door turn out to be the leaders of a satanic cult.In writer-director David Koepp’s thriller, a wealthy banker (Bacon) and his B-list movie star wife (Seyfried) escape with their young daughter (Avery Tiiu Essex) to the bleakest place on Earth, where things go from dark to grim.

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‘Last Days of American Crime’ review: Idiotic Netflix torture porn earns rare 0% rating

boasts a rare 0% rating on Rotten Tomatoes? Is it the scene in which a man shoots up a captive woman full of heroin and attempts to rape her in what looks like Austin Powers’ bedroom? Or maybe the sequence where a disgusting man with no flesh burns a tied-up Bricke with a cigar in a trailer, sets it on fire and Ramírez still escapes looking like he’s en route to a photo shoot?How about the strong, but totally wasted premise? The US government is about to unleash a mind-controlling signal that will sense when a person is up to no good and stop ‘em in their tracks.

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‘King of Staten Island’ review: Pete Davidson triumphs in blissful comedy

borrows a lot of heavy realities from the “Saturday Night Live” star’s own life: his character Scott lost his firefighter father at age 7; he still lives on Staten Island with his mom; and he makes more brow-raising choices than Kanye.And, also like the real-life Davidson, there is nary a moment where Scott isn’t the most likable person on the damn planet.That’s director Judd Apatow’s signature move: taking a talent we love — Davidson, Steve Carell, Amy Schumer, tenderizing them with a cinematic meat mallet and delivering an emotional wallop of a film we didn’t know they were capable of.“The King of Staten Island,” which is co-written by Davidson, Apatow and Dave Sirus, is a grounded fantasy of what the actor’s life might’ve turned out to

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