MeToo: Last News

Wednesday’s episode of the long-running game show featured Sajak, 75, asking letter-turner Vanna White a shocking question that made fans sigh behind their computer screens.Contestant Ashley Fabian is a professional opera singer and scored $67,410 throughout the regular play round and bonus puzzle. But she seemingly got caught in the crossfire of a weird conversation between Sajak and White, 65.“Are you an opera buff at all?” Sajak asked, to which White responded, “Yes.

#MeToo story and she isn’t afraid to share it.The “Venom: Let There Be Carnage” star, 45, opened up about her experience with the Mail on Sunday’s “You” magazine and revealed that an A-lister groped her during one of her auditions.She said that the unnamed star put his hand up her skirt while she was reading for a part.“What was so shocking about it was the casting director was there and the director, and of course no one said anything because he was – he is — such a huge star,” Harris explained.The “Moonlight” actress continued, “That was my only #MeToo incident, so I felt very lucky, given how rife that behavior was.”She also said there was another, more recent occurrence where an actor groped her.

the late star was sexually assaulted as a teen by a much older actor at a Los Angeles hotel.

iconic 007 played by Sean Connery was “basically” a rapist.The NYU grad noted the questionable sex scenes in the classic 1960s’ movies and told The Hollywood Reporter how he would help update the famous British spy for the #MeToo era.“Is it Thunderball or Goldfinger where, like, basically Sean Connery’s character rapes a woman?” Fukunaga asked, referring to two of the six Bond movies that starred Connery, who died last October.“She’s like ‘No, no, no,’ and he’s like, ‘Yes, yes, yes,'” Fukunaga, 44, said.“That wouldn’t fly today,” he told the trade mag.Fukunaga — who recently moved back to Manhattan — appeared to be referring to 1965’s “Thunderball,” in which Connery’s Bond forcibly kisses a nurse who had spurned his advances, The Guardian

California, and worked as a spiritual medium until she was diagnosed with lung cancer.Back in 2015, Welles joined the mass of women who accused comedian Bill Cosby of sexual assault, who she met on the set of TV series “I Spy.”She said she was a 17-year-old aspiring singer at the time of her encounter with Cosby, which took place in the mid-1960s in Hollywood after a visit to a jazz club.In a statement, she claimed that she ordered a Coke at the club. She added that she did not remember leaving the club and later woke up in an apartment naked and alone, feeling as though she had had sex.Once Welles called Cosby, she claimed he said she drank Champagne and he took her to the apartment to sleep it off.“He was a star.

facing multiple allegations of being the monster himself. Many of the female stars from “Buffy” are done with him.

Scarlett Johansson’s forthcoming Black Widow movie is set to feature a #MeToo storyline.In a recent interview with British movie magazine Empire, the leading lady opened up on the plot of her new film, teasing it is “very much reflective” of the Time’s Up and #MeToo movements.“It would be such a miss if we didn’t address that stuff, if this film didn’t take that head-on,” she explained. “I think, particularly for Cate (Shortland, director), it was so important for her to make a movie about women who are helping other women, who lift other women up out of a very difficult situation.“Someone asked me if Natasha (Romanoff, aka Black Widow) was a feminist,” Scarlett added of her Marvel character.

telling Vanity Fair this week, “It’s like, what the f - - k was I doing working with Woody Allen and Roman Polanski?”“It’s unbelievable to me now how those men were held in such high regard, so widely in the film industry and for as long as they were,” she added. “It’s f - - king disgraceful.”“And I have to take responsibility for the fact that I worked with them both,” Winslet continued.

Thandie Newton has claimed she didn’t have a relationship with her parents “for a decade” after she went public with her experiences of sexual abuse.

A woman-in-peril movie is a not a new thing (just think of “Wait Until Dark,” “Eyes of Laura Mars,” or “Panic Room”), and neither is a woman-in-peril movie in which the heroine, after being stalked and terrorized, takes charges and fights back. That was the scenario, 30 years ago, in “Sleeping with the Enemy,” a grindingly effective but rather reductive B-movie that became a success in the summer of 1991, mostly because it was the first film designed as a dramatic showcase for Julia Roberts after “Pretty Woman.”