It would be empty hyperbole to declare Eddie Redmayne our worst living actor; in all likelihood, the honor belongs to someone nobody’s ever heard of, so bad that they never became famous in the first place. But in Tobias Lindholm’s new drama “The Good Nurse,” Redmayne still makes a bold argument for some qualified version of the statement. During the early stretches that see him in one of his two settings as a performer – so anemic and withdrawn that he appears to be trying to stop existing – one might wonder whether he’s merely the worst of his Hollywood class.
