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‘#Manhole’ Review: An Enjoyably Ludicrous Battle of Wits Between Man and His Greatest Adversary, Hole
Jessica Kiang It was either Nietzsche or Tex Avery — but one of our great philosophers — who asserted that there are two types of people in this world: those who walk through life blithely unbothered by manholes, and those who are destined to fall into them. Now, for curious members of the former class, comes an intimate examination of what it’s like to be one of the latter: “#Manhole,” Japanese director Kazuyoshi Kumakiri’s slick, increasingly deranged survival thriller about a man who will finally learn to know his true nature from a hole in the ground. Popular, successful and possessed of highly covetable good looks, Shunsuke Kawamura (Yuto Nakajima, of Japanese boy band Hey! Say! JUMP) has the world at his feet. It’s the eve of his wedding to the pregnant daughter of his company’s CEO, and his co-workers have organized a surprise party to toast his good fortune. Walking home drunk from the festivities, Shunsuke suddenly stumbles. He comes to at the bottom of a deep concrete shaft with a nasty gash where his thigh interacted with the jagged edge of the broken access ladder. The moon is perfectly framed in the circular opening overhead.