Roy Disney: Last News

EXCLUSIVE: A multi-part film about the Fleischer Brothers, creators of a pioneering animation studio that launched Betty Boop, Popeye The Sailor, and Superman cartoons, has won the richest prize in documentary.

Carole Horst For 50 years, it’s been a safe place for storytellers – musicians, animators, directors, writers, artists of all kinds – to learn, grow and thrive. As CalArts celebrates its golden anniversary, it also faces the future head-on.  Broad trustee emeritus Tim Disney, whose great-grandfather, Walt Disney, laid the foundation for what is now a world-class arts school, says that CalArts was founded with very large-scale, utopian ideas by Walt Disney. “Disneyland and CalArts were very grand things,” Disney says, adding that Walt died before the school opened and that his grandfather, Roy Disney, “had the very hard job” seeing the plans through. “His commitment was a very beautiful thing.” 

Abigail Disney has shut down Fork Films, the documentary and feature film company behind “Crip Camp,” “One Child Nation” and “The Tale,” a drama about sexual abuse that starred Laura Dern. As part of the closure, fewer than 10 positions have been eliminated. Abigail, a filmmaker and philanthropist, is also the granddaughter of Roy Disney, the co-founder of The Walt Disney Company. A spokesperson for Fork Films said the staff was notified of the closure in February, and have been working to wind down the company by Sept. 30, 2022. Disney’s most recent film, “The American Dream and Other Fairy Tales,” which she co-directed with Kathleen Hughes, debuted at the Sundance Film Festival and was recently released digitally. The film examines the issue of economic inequality and ballooning CEO compensation packages. The movie made headlines as Disney drilled down on the employment and union practices at the theme parks run by The Walt Disney Company. In the film and dozens of subsequent interviews, Disney has consistently and unflinchingly taken the company to task, describing the corporation’s promises of “upward mobility” as “neoliberal claptrap.”