Rithy Panh - celebsbar.com

Patrick Frater Asia Bureau Chief Rithy Panh, director of “Rice People” and “S21 The Khmer Rouge Killing Machine” is an icon of art-house cinema, at once political, unique, and charming. The iconic image may be another of his confections – a palatable work built on uncomfortable facts. On the incomplete evidence of a 50-minute on-stage dialog at the Busan International Film Festival on Sunday, Panh comes across as simultaneously contrarian and principled. A curmudgeonly veteran and yet a filmmaker still curious to learn. “If there were no Khmer Rouge maybe I would not be a filmmaker,” he said of the Communist insurgents, who won the Cambodian civil war in 1975 and whose brutality and atrocities he has spent a lifetime documenting and exposing.

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Oe Kenzaburo, Nobel Prize-Winning Japanese Author, Dies at 88

Mark Schilling Japan Correspondent Japanese author Oe Kenzaburo, the winner of the 1994 Nobel Prize in Literature, has died at age 88. His date of death, ascribed to old age, was March 3. A total of six films have been made from Oe’s work, most recently the 2001 “Gibier d’élevage,” a reworking of “The Catch” by Cambodian director Rithy Panh. Born in 1935 in Ehime Prefecture on the island of Shikoku, Oe began writing while still a student of French literature at the University of Tokyo. Not long after graduating in 1957, he published “The Catch,” a novella about a Black American airman who finds himself captured by rural Japanese villagers in the waning days of the war. It won the prestigious Akutagawa Prize and was made into a 1961 film by Japanese Nouvelle Vague auteur Oshima Nagisa.

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Rithy Panh Further Explains His Resignation As Jury President Of Cannes’ TikTok Competition

The 2022 Cannes Film Festival opened amid concerns around journalistic independence. Now there are concerns regarding jury independence.

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Berlin Review: Rithy Panh’s ‘Everything Will Be OK’

Most of Cambodian director Rithy Panh’s family were killed in Khmer Rouge labor camps. He was lucky enough to get out and, after months in a Thai refugee camp, move to Paris where he eventually went to film school. His adult years have been spent making innovative, impressionistic documentaries about Cambodia’s terrible years of struggle, mingled with personal memories.

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