Rainer Werner: Last News

It’s a neat conceit, making the directing colossus of 1970s German cinema into the star of his own show. Peter Von Kant, the opening film of the Berlin Film Festival, is “freely adapted” by French director François Ozon from The Bitter Tears Of Petra Von Kant, Rainer Werner Fassbinder’s highly stylized 1972 story of three women locked in a toxic triangle of love, jealousy, domination and submission. The storyline and much of the dialogue, is the same; where Ozon shakes it up is by making the trio all men. 

Nick Vivarelli International CorrespondentThe Locarno Film Festival recently announced a complete retro dedicated to Douglas Sirk, 35 years after the death of the director best known for melodramas made in Hollywood in the 1940s and 1950s, such as “Magnificent Obsession” and “Written on the Wind,” that aims to provide a fresh critical interpretation of his work.Sirk, who was born in Denmark and worked in Germany, which he left for Hollywood during Hitler’s rise to power, later returned to Europe and eventually retired in Switzerland.Among his most prominent fans were late great German filmmaker Rainer Werner Fassbinder and Bernardo Bertolucci.For the first time, Sirk’s filmography will be reviewed in the light of unpublished documents made available by the director’s family through the Douglas Sirk Foundation and preserved since 2012 at the Cinémathèque Suisse, broadening the perspective on this major auteur. Variety spoke to Locarno’s artistic director Giona A.

EXCLUSIVE: The Bitter Tears of Petra von Kant, Rainer Werner Fassbinder’s 1972 drama, is being reimagined for the second time in as many years, this time by a team of Iranian filmmakers.