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Rosalia Moves to the Head of the Class With the Dazzling ‘Motomami’: Album Review
Jem Aswad Senior Music EditorBarcelona-born singer Rosalia seemed to progress ahead of her own albums: While her debut was essentially the straight traditional flamenco she spent years learning, and the second saw her fusing that style with more contemporary sounds, her guest appearances (with artists ranging from J Balvin, Ozuna and Bad Bunny to the Weeknd, Billie Eilish and Travis Scott) and her recent singles have seen her fully embracing innovative, envelope-pushing sounds ranging from reggaetón to hip-hop to pop.It was all prelude for the wildly diverse “Motomami,” which brings her roaring into now — it’s as musically innovative an album as we’ve heard in the past year. It finds her delivering on all the promise and innovation that those releases suggested and plenty more as well, while still keeping the sound rooted in her stunning voice (and singing entirely in Spanish).
