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A Fresh Take on ‘Marie-Antoinette’: On Set of the Dazzling New Costume Drama
Elsa Keslassy International Correspondent On the outskirts of Paris, in a vast, industrial-looking studio in Bry-sur-Marne, the clocks have turned back to the 1770s. Opulent decor — gilded furniture, flower-adorned curtains and marble everywhere — fills the soundstage. The atmosphere is studious on the set of “Marie-Antoinette,” a lavish French-produced costume drama created, co-written and executive produced by Deborah Davis. She’s delivering a feminist take on an infamous historical figure, best-known for apocryphally advising the starving masses to eat cake. We all know how that ended. On screen, Marie-Antoinette hasn’t been treated better than she was at the guillotine, where she’s often depicted as a villain or a frivolous airhead.
