Kirsten Coleman: Last News

McKinley Franklin editor Kirsten Coleman spearheaded a wave of makeup fads in 2019 with HBO’s “Euphoria.” Now, she’s trying capture that magic for a second time with her work on “The Idol.”  “I wanted this story to be a more progressed version of ‘Euphoria,’” she says. “Sam Levinson was like, ‘Even though we’re combining the worlds, I want there to be a new experience here.’”  The show zeroes in on pop star Jocelyn (Lily-Rose Depp), who is at a crossroads after the death of her mother. Vulnerable, Jocelyn is swiftly influenced by sex-cult sleaze Tedros (Abel “The Weeknd” Tesfaye), a relationship that changes the trajectory of her career for good. The Levinson-directed series took the media by storm after its polarizing premiere at Cannes, following a Rolling Stone report that detailed allegations of a toxic work environment.

In his first year working in film and TV, hair department head Barry Lee Moe (IATSE Local 706) had an experience that forever changed his perspective on the industry.

The Hollywood Reporter is premiering Behind the Screen: Creative Leaders at Home and the Way Back, a special two-partRoundtable series featuring filmmaking talent, who discuss the impact of COVID-19 and issues that will need to be addressed in order to get the creative community back to work. The first Roundtable, whichdebuts on THR's YouTube channel at 11 a.m.