Johnny Ace: Last News

Wall Street Journal reported on Wednesday that a settlement was reached in January with the woman, who was hired as a paralegal for WWE in 2019, which prevented her from speaking about the supposed relationship with McMahon or making any critical statements about the 76-year-old wrestling promoter. According to WSJ's report, the board's investigation also revealed several nondisclosure pacts related to other misconduct claims from other women who had also worked at WWE.

World Wrestling Entertainment has launched an investigation into a $3 million hush-money settlement over an alleged affair, according to reports.The Wall Street Journal has revealed that CEO Vince McMahon paid his alleged mistress, who was a departing employee, to keep her quiet.According to the newspaper, the agreement aims to prevent the worker from discussing their relationship and was made in January. It is believed the woman, who was a paralegal at the company, is also unable to make critical statements about McMahon.

Chris Willman Music WriterAnyone who’s had a longtime preset for a rock or pop oldies station is well aware of the generational shift: “Oldies” now almost entirely means the late ’70s and especially 1980s and ’90s, with rarely a pre-1970 tune to be found that isn’t the Beatles. Even given the recurring resurgence of the Fab Four, you’re still more likely to hear “Hungry Like the Wolf,” “Here Comes the Rain Again” or even “Hey Ya” than “Hey Jude” on an oldies station.So maybe it should be no surprise that the Rock and Roll Hall of Fame should be subject to the same gravitational forces, more interested in artists that still have active careers, or as active as the 25-years-since-first-commercial-recording eligibility rule allows, rather than the dearly departed or semi-retired. Mind you, early-rock wild cards could still be found regularly sneaking onto the ballot until a decade or so ago… only to usually be rejected by the wider contingent of voters in favor of artists who still walk and rock among us.

Guadalupe “Shorty” Ortiz was a Tejano musician known for leading Shorty and the Corvetts as well as Mariachi Corbetas.A singer and multi-instrumentalist who played guitar, bass, and keyboards, Ortiz began recording in his teens and had an early hit with “Un Ratito.” He was nominated for a Tejano Music Award for the track at age 19. With the Corvetts, he had another hit covering the Johnny Ace blues ballad “Pledging My Love,” adding Tejano flair to make it his own.