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‘Golda’ Review: Helen Mirren Channels Golda Meir in a Tense Dramatization of the Yom Kippur War
Owen Gleiberman Chief Film Critic In “Golda,” Helen Mirren, acting with deft skill and control beneath one of those startling transformative prosthetic makeup jobs, portrays Golda Meir during the three-week cataclysm of the Yom Kippur War, which shook Israel to its bones in the fall of 1973. As the actor stands (or, more often, stoops) before us, we can believe our eyes that this is the Iron Lady of Israel. For here is that frown, those beetle brows, that coarse wavy hair tied into a bun like challah bread, that pugnacious nose, that stare of implacability designed to bore a hole in its beholder. Here, as well, is the woman who lit a thousand cigarettes, chain-smoking her way through the war-room anxiety and through the secret medical treatments she was undergoing at the time for lymphoma.
