Brent Lang Executive Editor of Film and MediaRicky Staub thought he was hallucinating. When he looked outside his office window, he saw a horse and buggy making its way down the streets of North Philadelphia like an emissary from another century.
But there were details that immediately identified the driver as hailing from this time and place: namely, a subwoofer and speakers blasting rap music and rims with souped-up spinners that wouldn’t have been out of place on a car. “It was an extraordinary sight,” says Staub, a filmmaker whose production company is located in that section of the City of Brotherly Love.
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