As the 1960s drew to a close, director Roman Polanski‘s theatrical adaptation of Ira Levin’s novel “Rosemary’s Baby” would find immediate success from both the box office and critics alike, eventually finding its way onto many a list of genre-defining horror and inclusion within the United States National Film Registry by the Library of Congress. This now-classic, revolving around the spouse of an NYC-based actor who believes she may very well be carrying the unborn child of Satan after a string of horrific events and the meddling of her bizarre neighbors, served as a launchpad for the career of Mia Farrow as she deftly commanded the title role and would go on to spawn its own offspring in the form of a 1976 sequel and 2014 remake, both made for television.
