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‘Beautiful Beings’ Review: An Icelandic Coming-of-Age Tale Radiant with Violence and Tenderness
Jessica Kiang Who knows why a sight as pitiful as 14-year-old Balli (Áskell Einar Pálmason), the unwashed, neglected child of an abusive stepfather and a largely absent mother, inspires a protective instinct in some kids, and a vicious one in others? Who knows why, at times, a protector can himself become a bully? Guðmundur Arnar Guðmundsson’s beautiful and cruel second feature boasts an outstanding juvenile ensemble cast. But almost more than it stars any of them, it stars the ebbs and swells of an inescapable legacy of heteronormative male violence, that fills childhoods with dark, shameful corners that no pale, bright splashes of Icelandic sun can ever warm.
