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How ‘Dune’ and ‘Power of the Dog’ Composers Experimented for Oscar-Worthy Soundtracks
Jon Burlingame Film composers are always looking for novel ways to express ideas and convey character in music. Two of this year’s original-score nominees were especially innovative in finding musical solutions for storytelling challenges.“Dune” demanded a sonic landscape unlike anything composer Hans Zimmer had ever tackled (including such sci-fi projects as “Inception” and “Interstellar,” which brought him two of his previous 11 Oscar nominations).
