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‘Tchaikovsky’s Wife’ Review: Kirill Serebrennikov’s Historical Melodrama Is a Repetitive Tale Of A Toxic Marriage [Cannes]
Returning to Cannes a year after his feverish drama “Petrov’s Flu” hit the Croisette, Kirill Serebrennikov can finally attend the festival in person after recently being free from years of house arrest. Debuting in competition, his latest offering, “Tchaikovsky’s Wife,” is a slow-burn historical drama that never manages to escape from being a bore despite its seemingly intriguing premise.
