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How Sound Crew Spent 18 Months Turning Bowie’s ‘Moonage Daydream’ Into an Immersive ‘Fever Dream of Sound and Vision’
Roy Trakin Brett Morgen’s “Moonage Daydream,” a freewheeling documentary about David Bowie, doesn’t offer a chronology of the life of the late pop icon. Rather it provides a fever dream of sound and vision, with songs torn apart, reimagined and reassembled in ways that reflect its subject’s chameleonic music and art. The doc, out now in IMAX theaters, was a labor of love for Morgen that took four years to assemble and edit. It was another 18 months constructing the ambitious soundtrack, which required the talents of the Oscar-winning “Bohemian Rhapsody” team of Ventura, Calif.-based rerecording mixer Paul Massey (with David Giammarco); London-based supervising sound and music editor John Warhurst and supervising sound editor Nina Hartstone; and Dolby Atmos Music Studios.
