Niles Atallah: Last News

The Wolf House”) have wrapped shooting on a new short, “The Bones,” a stop-motion piece for adult audiences with a bold auteur aim.“Bones” is produced by Lucas Engel’s new company Pista B in co-production with Diluvio (“The Wolf House,” Niles Atallah’s “Rey”). Director Ari Aster (“Midsommar,” “Hereditary”) and Adam Butterfield are executive producing the short.

John Hopewell Chief International Correspondent Mexico’s Bruno Santamaría, Argentina’s Martín Benchimol and Turkey’s Selman Nacar proved three of the big winners among San Sebastian Industry Awards, announced Wednesday. João Paulo Miranda, already a young star on Brazil’s film scene after “Memory House,” meanwhile won the Ikusmira Berriak Award. A Chicago Golden Hugo winner for doc feature “Things We Dare Not Do,” Santamaría swept two awards at the fest’s Europe-Latin America Co-Production Forum, a Mecca for Latin America auteurs and their producers seeking vital co-production partners as state funding prospects have plunged across the region.

John Hopewell Chief International Correspondent Adding to its slate of auteurs from all over the world, Raphael Berdugo’s Cité Films has boarded “The Fire Doll,” from Chilean director-to-track Niles Atallah (“Rey”) and “Left Over,” from San Sebastian Gold Shell winning Turkish director Yesim Ustaoglu (“Pandora’s Box”). Produced by Catalina Vergara at Chile’s Globo Rojo Films, “The Fire Doll” (“La muñeca de fuego”) is one of the 14 projects to be pitched at this month’s San Sebastian Europe-Latin America Co-Production Forum, one of the Spanish festival’s centerpiece industry events. Atallah, whose second film, “Rey,” won a Rotterdam Special Jury Prize in 2017, turns in “The Fire Doll” to the transformation process experienced by a 9-year-old girl, Aurora, who loses part of her memory and goes to her the countryside to spend Easter wither father, an alcoholic in remission.