Nikkole Salter: Last News

EXCLUSIVE: Desean Terry (The Morning Show) and Nikkole Salter (playwright, In The Continuum) are partnering to adapt and executive produce Salter’s acclaimed play Lines in the Dust into a feature film under Terry’s Think Switch Entertainment banner. Terry is also set to direct the feature.

Confederates renders a frank, witty, and delightfully twisted exploration of racial biases, be they unconscious or firmly resolved.The play, directed by Stori Ayers in a riveting new production at Mosaic, derives some suspense from the anticipation that its parallel plotlines might connect. But whether or not the individual stories of embattled college professor Sandra (Nikkole Salter) and enslaved rebel Sara (Deidre Staples) actually meet, their experiences as Black women, though separated by centuries, are still intertwined.Even Nadir Bey’s evocative set design suggests as much, combining Sandra’s office and Sara’s plantation cabin within the same space.

Grace (★★★★☆), the audience was on their feet, ready to bathe the performer in a juicy, well-earned moment of gratitude.Had Payton launched into an immediate reprise, nobody would have minded. “Again?” is a really good song, among several composed by Nolan Williams, Jr., who also directs the fine eight-piece orchestra, and has got this ensemble cast’s vocals all the way together — save for a straggler or two.Director-choreographer Robert Barry Fleming has likewise fit the cast together firmly in their excellent portrayal of a large extended Black family in Philadelphia gathered for the memorial of their dear, deceased matriarch, Gran’Me.Preparing a picnic in the garden behind the family’s restaurant, Minton’s Place, a one-hundred-year tradition in the community and in their family, the Minton cousins and siblings and aunties comprise a lot of moving parts.Backgrounded by a recently dedicated mural that rises stories above the garden, family members are in and out of the kitchen, up and down steep staircases, carrying food, serving food, eating, singing about, dancing with, and arguing about food.All the movement and prop business looks effortless, as the cast weaves around Jason Ardizzone-West’s spare but expressive set.