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‘The Most Beautiful Boy in the World’ Review: The Angelic ’70s Teen Idol of ‘Death in Venice’ and What Became of Him
Owen Gleiberman Chief Film CriticArt films used to cross over into the mainstream more than they do now, though it still happens (just look at the success of “Parasite”). But even back in the heyday of art-house earthquakes like “Z” and “Last Tango in Paris,” there was something surreal about the crossover phenomenon of Björn Andrésen.
