Frank Rizzo Public and personal identities are constantly being examined, teased and tested in Richard Greenberg’s “Take Me Out,” his grand paean to baseball and ontological quandaries, which is receiving a starry and satisfying Second Stage revival at the Helen Hayes Theatre on Broadway.It’s been 20 years since the play first stunned audiences with its rich writing, provocative themes and a locker room full of naked men. (And still an active major league player has yet to step up to the bat and come out as gay.)Directed by Scott Ellis, this revival, too, is a solid hit, despite a few grounding errors.
