David Koepp: Last News

The stage musical adaptation of the 1992 film comedy Death Becomes Her will make its pre-Broadway debut in Chicago this spring, producers announced today.

Jurassic Park will hit theaters again on Aug. 25 in celebration of the Steven Spielberg pic’s 30th anniversary. The movie will be re-released in RealD 3D-equipped theaters across North America.

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments, including the ending, of “Indiana Jones and the Dial of Destiny,” currently playing in theaters. When director James Mangold started writing “Indiana Jones and the Dial of Destiny” with screenwriters Jez and John-Henry Butterworth, he didn’t know how the movie was going to end. Mangold inherited the film from director Steven Spielberg, who had been developing the project for three years with screenwriter David Koepp. When Mangold took over, he and the Butterworth started effectively from scratch, crafting a story in which Harrison Ford’s titular archeologist and Nazi puncher contends with his own age and irrelevance while chasing after the Antikythera, a mysterious device with the power to find fissures in time, created by the ancient Greek mathematician and inventor Archimedes.

James Mangold’s life, Harrison Ford told him he was worried Indy was looking too old.  It was the fall of 2019, and Mangold had joined the team working on the film adaptation of “The Call of the Wild,” in which Ford plays a rugged frontiersman, to help with reshoots. In their downtime, Ford began confiding in Mangold about the fifth “Indiana Jones” movie, which had been bouncing around in development for the better part of three years. Steven Spielberg and screenwriter David Koepp had conceived a roughly five-minute opening sequence set during World War II, in which Ford would be digitally de-aged. Ford wasn’t sure it was a good idea.

Indiana Jones And The Dial Of Destiny director James Mangold has explained why Shia LaBeouf will not be returning to the franchise.LaBeouf played the titular archaeologist and adventurer’s son, Mutt Williams, in 2008’s Indiana Jones and the Kingdom of the Crystal Skull, directed by Steven Spielberg.Explaining LaBeuof’s absence at the Dial of Destiny Los Angeles premiere on Wednesday (June 14), Mangold told Variety: “I think the point I had was that when I came on, I wanted to capture that wonderful energy between Indy and an intrepid female character.”“So that was my first goal, and there’s only so many people you can edge into a picture,” he added.The fifth instalment in the Indiana Jones franchise stars Phoebe Waller-Bridge as Indy’s goddaughter, Helena.Back in 2017, screenwriter David Koepp revealed that LaBeouf would not be returning. “Harrison plays Indiana Jones, that I can certainly say,” he told Entertainment Weekly, “And the Shia LaBeouf character is not in the film.”The latest offering marks the final instalment of the Indiana Jones franchise, and sees Harrison Ford reprise his iconic role at the age of 80.So far, Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.It’s also predicted to earn a disappointing $60million at the US box office in its opening weekend.In a four-star review of The Dial Of Destiny, NME wrote: “The biggest question – could another director succeed Steven Spielberg after four Indy films in a row – is well-answered.

A musical stage adaptation of the hit 1992 Robert Zemeckis film Death Becomes Her will take another step in its development this week when Universal Theatrical Group hosts a private reading in New York City, with a starry cast of Broadway performers, including Megan Hilty, Jennifer Simard and Christopher Sieber, taking part.

EXCLUSIVE: Filming has begun on location in Italy and Morocco on virus thriller Cold Storage with Smile star Sosie Bacon joining Joe Keery (Stranger Things), Liam Neeson (Taken) and Georgina Campbell (Barbarian). The Crown star and Oscar nominee Lesley Manville (Phantom Thread) is in final talks to join.

EXCLUSIVE: Georgina Campbell (Barbarian) has signed on to star alongside Liam Neeson and Stranger Things‘ Joe Keery in the sci-fi actioner Cold Storage, based on the novel by David Koepp, which Jonny Campbell is directing for Studiocanal.

EXCLUSIVE: One of the more highly sought after open directing jobs may have just been filled as Sources tell Deadline that Leigh Whannell is in negotiations to direct The Green Hornet And Kato for Universal. Execs have been meeting with directors over the past couple of weeks but insiders close to the meetings felt as soon as Whannell threw his name in the mix he had the edge as the studio has wanted to get back in business with him after he delivered Invisible Man pic to critical acclaim and box-office success. The studio got a script in from David Koepp early this year they are high on and once a deal closes the film should be fast-tracked to the pre-production stages.

EXCLUSIVE: Liam Neeson and Stranger Thing’s Joe Keery are set to star in Cold Storage. Jonny Campbell (Westworld and Doctor Who) will direct the sci-fi action film from a novel by David Koepp. Koepp, whose film work includes Jurassic Park, Spider-Man and Mission: Impossible, has written the script. Zombieland and Panic Room’s Gavin Polone is producing.

EXCLUSIVE: Liam Neeson and Stranger Thing’s Joe Keery are set to star in Cold Storage. Jonny Campbell (Westworld and Doctor Who) will direct the sci-fi action film from a novel by David Koepp. Koepp, whose film work includes Jurassic Park, Spider-Man and Mission: Impossible, has written the script. Zombieland and Panic Room’s Gavin Polone is producing.

Sasha Urban editorFresh off the heels of Jane Campion’s best director win at the Oscars, Kathryn Bigelow is also heading to Netflix for her next project. Bigelow, who became the first woman to win a directing Oscar in 2010 for “The Hurt Locker,” will direct “Aurora,” based on David Koepp’s upcoming thriller novel of the same name, for the streamer.Koepp will also write the film’s screenplay, which will join his long list of credits including “Mission: Impossible” and “Jurassic Park.” The novel “Aurora” is set to be released on June 7 by Harper Collins.Per Netflix’s announcement of the project on Twitter, the film “follows characters who are coping with the collapse of the social order, set against a catastrophic worldwide power crisis.” The novel’s blurb sets the story in Aurora, Illinois, where Aubrey Wheeler and her teenage son are forced to fend for themselves in the wake of a massive power outage.

Fish gotta swim, birds gotta fly and Steven Soderbergh just gotta keep on making films, which he does with his 33rd feature narrative title, Kimi, in which the central character’s intense agoraphobia very neatly overlaps with the all-enveloping presence of Covid. It’s a piece that feels like it was quickly made in the heat of the moment and creatively benefits from that edge. The film is also bolstered by the unsettling disruptions of norms, the feeling that the continuation of everyday existence is extremely tenuous. It’s a tight, taut little thriller—the third film Soderbergh has made under Covid conditions–that defines our times as the moment when communication via electric devices has superseded personal one-on-one contact. In this regard, the film clearly represents the time and place it was made.

When you call out for KIMI, both the sound and the substance of the voice are comforting. It’s a soft, female sound, providing an affirmation: “I’m here.” KIMI is a virtual assistant, like Siri and Alexa, but with the key difference of “people,” according to the CEO of the company that makes it.

“You Should Have Left”: instant obviousness.Generally speaking, there needs to be an unraveling in scary movies to give us somewhere to go. A happy cul-de-sac becomes a serial killer’s canvas, or that sweet couple in the apartment next door turn out to be the leaders of a satanic cult.In writer-director David Koepp’s thriller, a wealthy banker (Bacon) and his B-list movie star wife (Seyfried) escape with their young daughter (Avery Tiiu Essex) to the bleakest place on Earth, where things go from dark to grim.