Carlos Rosado: Last News

Emiliano De Pablos Few nations in the world have developed such a spread of film commissions as Spain, a country forged out of its regions, whose governments have energetically bought in to the benefits of foreign and local shoots. As the country moves ever more onto the big-shoot locations industry radar, the Spain Film Commission is experiencing rapid growth of its nationwide network as well as helping to drive the ambitious Spain AVS Hub plan. Following the March 2021 announcement by the central government of the launch of the Spain AVS Hub plan — with a €1.6 billion ($1.6 billion) budget — a royal decree in October granted $5 million in direct support to the SFC for actions eligible for subsidies from 2022-24.

Spain Film Commission is partnering with Olsberg•SPI to draw up a first ever in-depth study on the economic impact of international shoots in Spain. Profilm, Spain’s association of line producers, will also participate in the venture, its members supplying data for the report. “We have an agreement and vocation for collaboration,“ said SFC president Carlos Rosado.

Emiliano De Pablos Spain has proved ever more successful in luring some of the biggest movies and series, and although 2020 saw a large rise in tax breaks, the big hike came in December. New record tax advantages raised relief for international productions to up to €20 million ($21.4 million) per movie and $10.7 million for any single series episode. In the Canary Islands — operating a special tax regime — the film tax break ceiling is now an extraordinary $38.6 million, one of the highest in Europe. Effective Jan. 1, deduction rates for foreign productions are set at 30% for the first $1.1 million of deductible expenses and 25% for the rest in the Peninsula, and 50%- 45% in the Canaries.

 Current ceilings are €18 million ($19.8 million) for the Canary Islands, €10 million ($11 million) for the rest of Spain.The call for a muscular rise in incentives was made at Spain’s Málaga Film Festival, as industry figures including Fernando Victoria de Lecea, line producer on Wes Anderson’s 2021 Spanish shoot “Asteroid City,” sketched a possible roadmap to take full advantage of the country’s extraordinary $1.8 billion Spain AVS Hub state funding which has begun to flow into events such as Málaga’s Spanish Screenings and the bullush promotion of Spanish series at Series Mania. Other panelists took in Carlos Rosado, president of the Spain Film Commission, Roberto Sacristán, head of Alianza Industria Audiovisual (ALIA) and Rosa García, president of RedCau, a network grouping five of Spain’s biggest film-TV clusters.In contrast to so many Spanish industry panels at festivals down the decades, the panel’s mood was upbeat. Rosado recalled how the Spain Film Commission aided in the creation of Spain’s first international shoot tax rebate on local spend, instituted in 2015, As first-phase COVID-19 still raged, at the instance of Rosado and former U.S.