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‘The Father and the Assassin’ Review: A Star-Making Performance in a Dynamic Play About the Murder of Gandhi
David Benedict “What are you staring at? Have you never seen a murderer up close before?” Ever since her startlingly assured 2007 debut “Free Outgoing,” shrewd playwright Anupama Chandrasekhar has calmly been breaking rules to winning dramatic effect. Making her outstanding National Theatre debut with “The Father and the Assassin,” a play about the murder of Mahatma Gandhi, she continues that process by wrong-footing the audience with that opening line.
