For the past decade, filmmakers Kirby Dick and Amy Ziering have been on a righteous crusade, casting light on institutional failures to confront sexual abuse and giving a platform to survivors.
They’ve exposed rot in the military (The Invisible War), on college campuses (The Hunting Ground) and in the music industry (2020’sOn the Record).
Each documentary has concluded with a list of the accused and implicated who declined to be interviewed — unsurprisingly, as one can hardly imagine how it would behoove an alleged predator to appear in these movies.
Dick and Ziering are filmmaker-advocates who may have begun their journey screaming into the void, but a cacophony has since risen up to join them.
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