The easy-to-apply criticism of Netflix is that they make big-budget films with massive global stars— “Red Notice” with Ryan Reynolds, Gal Gadot, and Dwayne Johnson, “The Gray Man” with Chris Evans and Ryan Gosling—the streaming service touts the first weekend numbers (“most streamed ever!!”), and then the films are never heard from again after that opening, let alone ever entering the cultural zeitgeist conversation.
