Umberto Paradisi: Last News

Right at the beginning of The March On Rome, a special screening in the Venice Days section of the Venice Film Festival, Mark Cousins draws our collective gaze to a piece of graffiti saying that cinema is most powerful weapon of all. It isn’t clear — to me, anyway — whether that joyful proclamation dates back to 1922, when Benito Mussolini led a Fascist march from Naples to Rome, or to some other eruption of historical optimism. Cinema isn’t as powerful as all that — if it were, Fascism would have been clobbered to a pulp by Chaplin, Lubitsch and all the other filmmakers who lampooned its vainglorious leaders. But images do matter. They certainly mattered to Italian Fascism.

Fascism – its roots, legacy and contemporary manifestations – is a leitmotif running throughout the 79th Venice Film Festival as Italy marks the centenary of Italian dictator Benito Mussolini’s fateful power grab in 1922, in an era when totalitarian leaders are once again on the rise.

Nick Vivarelli International CorrespondentAward winning film director and historian Mark Cousins (“The Story of Film: A New Generation”) is at Rome’s Cinecittà Studios making a doc titled “March on Rome” that will explore the roots of fascism by analyzing films, photographs, and other documents found in Italian archives.The high-profile documentary — pegged to the centennial of the infamous late October 1922 insurrection by which Benito Mussolini came to power in Italy — will take its cue from the Fascist propaganda film “A Noi” by director Umberto Paradisi, produced in 1923 as an official Fascist party document celebrating the March on Rome.Italian writer and director Tony Saccucci (“The Duce’s Boxer”), who originated the project and did meticulous research for it, serves as a co-writer with Cousins. Saccuci cross-checked Paradisi’s film with other sources of the time to reveal details of the pic that provide a completely new take on the history of those dramatic days, according to the synopsis.