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‘Goya, Carriere and the Ghost of Bunuel,’ Broken Down by Director Jose Luis Lopez Linares (EXCLUSIVE)
John Hopewell Chief International Correspondent“Goya, Carrière and the Ghost of Buñuel,” which plays Cannes Classics this Saturday, begins with French film great Jean-Claude Carrière in a train, singing an ancient song in Occitan, the language of Provence, where he came from.Visiting Goya’s birthplace, he’ spies a cauldron and comments that there was one like that in his own family home.Towards the end of the film, surveying “The Colossus,” Goya’s painting of a giant dominating tiny people in a valley below who flee in all directions, Carrière observes that the painting capture a sense of immigration. Unlike so many of his friends, and indeed his wife, Nahal Tajadod, Carrière notes, he will have the privilege of being buried in the same place where he was born.
