Grace Petrie: Last News

Glastonbury has added more names to its 2024 line-up, as organisers share the bill for this year’s Acoustic Stage.The official 2024 line-up for Glastonbury was shared last month – with Dua Lipa, Coldplay and SZA set to headline the iconic Pyramid Stage this summer, while Shania Twain will perform in the legends slot on the Sunday.Now, following the main announcement, the organisers of the iconic Worthy Farm festival have begun counting down the weeks to this year’s instalment by beginning to announce the artists playing at individual stages around the site.Announced today (April 12), the announcement of those playing at individual stages has kicked off with the Acoustic Stage – and several new artists being confirmed as performing across June 28 and June 30.The Friday slot (June 28) will see performances led by Scouting For Girls, as well as Tanita Tikaram, Deverish, Stornoway, Josh Rous, Angie McMahon, John Smith, The Burma and more. It will also feature sets from Red Hot Chili Peppers‘ cover band, Red Hot Chilli Pipers.Saturday’s line-up at the Acoustic Stage includes Birmingham rock group Ocean Colour Scene, as well as Ralph McTell, The Manfields (featuring Paul Jones and Mike d’Abo), Albert Lee and more.

Sinead O'Connor has been described as an 'unmatched talent' following her death at the age of 56. Tributes have been paid to the singer-songwriter by names from the world of music and politics.

Billy Bragg has praised a new academic project to catalogue the history of the English protest song from 1600 to the present day, saying that songs “can’t change the world” but can “bring people together”.A website catalogue of about 750 songs in the Our Subversive Voice project has been produced, presented alongside interviews with key songwriters.The University of East Anglia (UEA) project includes Royalist songs from the English Civil War up to modern entries like Grace Petrie‘s 2016 song ‘I Wish The Guardian Believed That I Exist’.Bragg himself has two of his songs in the catalogue – ‘Between The Wars’ and ‘It Says Here’, among tracks the artist has previously covered including Florence Reece’s ‘Which Side Are You On?’ – and told the BBC that the project was important to show the political tradition of songs in England.“People think political pop music was something invented in the 1970s, but traditionally song has been used to get messages out, without them being edited by the government or establishment,” he said.“When I took part in the miners’ strike in the 1980s, I was a little punk rocker guy… the folk singers were already there and their repertoire was more radical than mine and much of it had been written in the 19th Century.”Asked about the impact of protest songs, Bragg said: “It can change some things, but it can’t change the world. What it does is it brings people together in solidarity – for example to raise money for a cause.

Frank Turner will play four different shows at The Roundhouse in Camden, North London, for the fourth installment of his ‘Lost Evenings’ festival.The shows take place from Thursday September 16 to Sunday September 19, with the building’s rooms, bars and outdoor space utilised for additional talks and performances under the name ‘Last Minutes’.The first night will see Turner play in an acoustic duo with Matt Nasir with support from Grace Petrie and Emily Barker.The second will see Turner perform material from across his first three albums, ‘Sleep Is For The Week’, ‘Love Ire & Song’ and ‘Poetry Of The Deed’ plus new material.