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‘Everything Will Be OK’ Review: Rithy Panh’s Exhaustingly Overloaded Dystopian Dream Journal is More Psyop Than Movie
Jessica Kiang The title, you might not be surprised to hear, is ironic: In Rithy Panh’s frenetic, splenetic new hybrid essay film, everything will most assuredly not be OK. Humans, with our immense capacity for microscopic and macroscopic cruelty, will not be OK. Animals, even if they manage to turn the tables on us, will also not be OK.
