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‘C’mon C’mon’ Review: Joaquin Phoenix Delivers His Mellowest Turn to Date
Peter Debruge Chief Film CriticIf filmmaker Miranda July hadn’t gotten there first, “The Future” would have made a fine title for fellow director (and husband) Mike Mills’ latest feature, “C’mon C’mon,” a small, soft-spoken yet casually profound family drama in which a subdued, post-“Joker” Joaquin Phoenix plays a middle-aged radio journalist who travels the country interviewing kids, asking what they think about their lives and where the world is headed.It shouldn’t really surprise that the two creatives — accomplished artists in their own right — have overlapping interests, including but hardly limited to the conviction that adults could stand to learn a thing or two from the way young people see things.
