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Sundance Review: Aubrey Plaza In ‘Emily The Criminal’
If Emily the Criminal had been made in the 1970s, it might have been an angry drama starring Jane Fonda. If it had been made in the ’80s, it would have been a feelgood comedy starring Dolly Parton. And here we are in 2022, where it lands with its premiere at the Sundance Film Festival as a taut, gripping but nevertheless damning portrait of how much ground has been lost in the last 40 years. The setting is America, but the subject is universal: the growth of wage slavery and, in particular, the glass ceiling that exists for people, women in particular, on low income.
