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‘Sheryl’ Review: At SXSW, a Rousing Portrait of Sheryl Crow, A Good-Time Rock ‘n’ Roll Angel with Real Demons
Owen Gleiberman Chief Film CriticThe pop-music world, in many ways, has only gotten angstier (it would be hard to imagine a mood-poet chanteuse like Billie Eilish commanding arenas 20 years ago). But even back in the ’90s, Sheryl Crow was the kind of straight-up, middle-of-the-strike-zone, tasty-licks virtuoso of rock ‘n’ roll good times who seemed to have been put on earth to make people happy.She was at the forefront of a revolutionary wave of women in pop — the Lilith Fair generation, from Alanis Morrisette to Sarah McLachlan to Shawn Colin to Paula Cole — but she was also, you could argue, one of the last great rockers to work in the heart-on-the-sleeve, guitar-riffs-on-air tradition of Bruce Springsteen and Tom Petty.
